ICMM Congress 2024: Medea S. Ekner, Director General of the International Council of Museums (ICOM)

ICMM Congress 2024: Medea S. Ekner, Director General of the International Council of Museums (ICOM)

🎙 ICMM Congress 👥 73 📅 October 17, 2024 ⏱ 30 min 👁 99 📄 expert opinion 🧭 2026-10-09
Available in: English (current) Français

Keywords

ICOMmaritime museumsactivismrestitutionsustainability

Summary

This video records the closing keynote of the 2024 International Congress of Maritime Museums (ICMM), held at Het Scheepvaartmuseum in Amsterdam, delivered by Medea S. Ekner, Director General of the International Council of Museums (ICOM). After an introduction by the ICMM host, Ekner presents ICOM’s identity and scale: a global membership organisation of roughly 60,000 members across more than 130 countries, connecting some 4,000 museums through 34 international scientific committees, with ICMM as one of 22 affiliated organisations. She frames the congress theme — ‘The Maritime Museum as Activist?’ — around three forces she sees reshaping museums: activism, decolonisation and climate change. She argues that museums are both products and makers of history, that their colonial and extractive pasts must be acknowledged, and that trust is built through repeated openness rather than asserted. She discusses the discomfort of restitution and repatriation debates, quoting colleagues to the effect that such discussions are inherently uncomfortable, and calls for releasing power in order to build lasting relationships. She highlights ICOM’s ongoing revision of its Code of Ethics as a living tool and announces a new ICOM award for sustainable development practices in museums. The final third is a Q&A covering ICMM’s affiliate status and voting rights, the distinction between ‘community’ and ‘society’, and the essential but under-recognised role of volunteer labour in the museum sector.

222 words

Critical Evaluation

Value of the Information & Strength of the Argument

The informational value lies chiefly in the institutional overview: concrete figures on ICOM’s membership, its committee structure, its affiliated organisations and its standard-setting instruments (the museum definition and the Code of Ethics). For anyone outside the museum governance world, this is a useful map of how the sector’s largest body is organised and where its leverage sits — notably the observation that affiliated organisations hold voting rights and therefore influence over ICOM, while the reverse is not true. The announcement of a new sustainability award and the confirmation that the Code of Ethics is under revision are also actionable items with practical consequences for member institutions. The argumentative structure, however, is largely declarative rather than demonstrative. Ekner asserts that museums are ’living, breathing organisms’ that must adapt, that decolonisation ‘will not politely accept invitations to co-create’, and that power must be released for relationships to last, but these are presented as convictions rather than conclusions derived from evidence. The reasoning proceeds by accumulation of rhetorical formulations and quotations from named colleagues rather than by building a case from data or case studies. The strongest argumentative moment is the discussion of trust: the ‘spiral of trust’ framing — openness leading to trust leading to further openness — is a coherent conceptual model, and the accompanying caveat that trust cannot be forced but must be built by the other party is a genuinely useful distinction. The Q&A adds some substance, particularly on the volunteer-labour question, where the speaker concedes the sector’s dependence on unpaid work and acknowledges that ICOM itself runs almost entirely on volunteers outside its secretariat. Overall the talk is persuasive advocacy rather than analysis: it articulates a direction of travel clearly, but does not test it against counter-arguments, costs, or evidence of outcomes.

Scientific Rigor, Source Quality, Title Accuracy

Scientific rigour is limited by the genre. This is a keynote address, not a study, and it contains no methodology, no data presentation, and no engagement with the scholarly literature beyond name-dropping colleagues who spoke earlier at the same congress (Wayne Modest, Robert Janes, and others). Claims such as ’the organisation is growing 10% each year’ and the membership figures are stated without a source or date, and cannot be independently checked from the video alone. The conceptual borrowings — the ‘spiral of trust’ from leadership theory, the framing of decolonisation as relationship-making — are attributed to traditions or to individuals in passing rather than cited. The description of the video contains no reference list, no links to reports, and no documentation of the ICOM Code of Ethics revision process or the new sustainability award, which are the two most concrete institutional commitments mentioned. Source quality is therefore best characterised as institutional testimony: authoritative in the sense that the speaker holds the office she describes, but unverifiable in the sense that no supporting documentation is provided. On title/content adequacy, the match is exact: the video is the keynote and Q&A it advertises, with the speaker, role and event correctly identified. No comments were supplied for analysis, so no assessment of audience response is offered.

523 words

Title / Content Match

The title accurately identifies the speaker, her role, and the event; the video delivers exactly the keynote and Q&A announced, with no mismatch between title and content.

Quality & Reliability

6/10

The keynote is delivered by a credible institutional leader (ICOM Director General) and is grounded in the speaker's professional experience and references to named colleagues. However, it is an opinion/advocacy address rather than a research presentation: no data, no methodology, no citations to published studies, and several claims (e.g., museum growth figures) are given without verifiable sourcing. The content is internally coherent and consistent with ICOM's public positions, but the evidentiary basis is testimonial and rhetorical.

Key Moments

Contribution & Novelties

The video’s original contribution is primarily institutional and prospective rather than scientific. It provides a first-hand statement of ICOM’s strategic direction under new leadership, including two concrete commitments that are not widely documented elsewhere in the same form: the ongoing revision of the ICOM Code of Ethics, framed explicitly as a ’living tool’ open to member and non-member input, and the creation of a new ICOM award for sustainable development practices in museums, positioned as a catalyst for practice change rather than a prize. It also offers an unusually candid account of the relationship between ICOM and its affiliated organisations, including the acknowledgement that ICOM had lost track of what ICMM was and wanted, and the observation that affiliated organisations hold voting rights and thus more formal influence over ICOM than ICOM holds over them. The framing of maritime museums as being at the cutting edge of decolonisation and climate work — because their subject matter is bound up with colonisation, migration and environmental change — is a specific and defensible positioning claim. Beyond this, the talk restates positions already established in museum studies and ICOM discourse rather than introducing new evidence or analysis.

Pour aller plus loin :

  • ICOM Code of Ethics for Museums — The standard-setting document whose revision is announced in the talk; the primary reference for the ethical framework discussed.
  • ICOM museum definition — The second standard-setting instrument cited by the speaker, revised in 2022 after a widely debated process.
  • Decolonisation and the museum, as discussed via Wayne Modest’s work on coloniality and heritage — relevant to the talk’s central argument about knowledge production and restitution.
  • International Congress of Maritime Museums — The organising body whose affiliate relationship with ICOM is examined at length in the Q&A.
  • Repatriation and restitution debates in European museums — the ‘uncomfortable’ discussions the speaker invokes, exemplified by national restitution frameworks and provenance research programmes.

314 words

Radar Profile

The profile is that of an institutional keynote: moderate informational density and moderate reliability, with a low technical level reflecting the absence of data, methods or specialised analysis. Strength sits in the coherence of the institutional narrative and the credibility of the speaker's position; weakness sits in the lack of verifiable sourcing and the reliance on rhetorical rather than evidential argument.

Reliability 6/10